Linlin Yang

Linlin Yang

May 05, 2026

Drama terracotta, Interactive imaging, Digitization, Performativity.

As a traditional art form embodying roles and narrative genes, the "performative" aspect of drama terracotta has been sealed for a long time due to physical solidification and viewing barriers. This paper takes drama terracotta as the research object, integrates art studies and media theory, and adopts an interdisciplinary case analysis method to analyze interactive imaging and figurine drama performance practices. It constructs a narrative framework centered on "embodied interaction", activates the contemporary narrative potential of drama terracotta, and reveals the integrated mechanism of interactivity, bodily perception, and narrative construction. Its theoretical significance lies in broadening the boundaries of narratology and performance studies, while in practice, it provides a specific path for the innovative development of new media art creation and traditional cultural performances.

© 2026, the Authors. Published by ISCCAC

This is an open access article distributed under the CC BY-NC license